This three-CD set features Richard Boothby's Fretwork consort playing his intriguing transcriptions of Bach keyboard works for the instrumentation of a slightly earlier era. Bach probably never had access to a full consort of viols, though pieces such as the "Passacaglia" and the "Prelude & Fugue XVI" from The Well-Tempered Clavier adapt so smoothly to the strings' interplay, and so naturally within their timbres, that they might have been written for the then-unfashionable consort. Read More...
Taverner and Tavener, Fretwork, London
‘Apt for voices or viols’: eager to maximise sales among the domestic market in Elizabethan England, publishers emphasised that the music contained in collections such as Thomas Morley’s First Book of Madrigals to Four Voices of 1594 was suitable for performance by any combination of singers and players.
Applying the same principle to a work from the sacred repertoire, in the first part of this deeply contemplative concert at King’s Place the viol consort Fretwork performed John Taverner’s Missa Gloria tibi trinitas, a Mass which was most probably first sung by the choir at Cardinal College (later Christ Church) Oxford, where Tavener was employed before 1530. Read More...
The Spitalfields Winter Festival opened at Shoreditch Church with a programme by the combined Fretwork viol consort and Red Byrd vocal group that unexpectedly overlapped in theme with an otherwise starkly contrasting concert by the combined London Sinfonietta and Royal Academy of Music Manson Ensemble at the Royal Festival Hall. The link was the reclamation of demotic musical material by high art.
At Shoreditch, the items were imaginatively tied together to set off Orlando Gibbons’s remarkable achievement in uniting, in his Cries of London, copious sounds of the street with the recherché polyphony of five-part “In Nomine” writing for viols. Comparable, if less sophisticated, syntheses by Thomas Ravenscroft, William Cobbold and Richard Dering were offered — Dering’s Country Cries showing particularly well how this vivid raw stuff could lend new freedom to word-setting — but it was Gibbons’s genius in bringing together artistic extremes that told. His three freestanding five-part In Nomines for viols were threaded through the programme, and we were treated, too, to a vigorous treble-viol Duo.
Harmonia Mundi USA have just released a 4-CD compilation album of all our J.S.Bach arrangements: The Art of Fugue, Alio Modo and The Goldberg Variations. It looks very good, and I think it's at a very competitive price.
Simon Callow is to narrate The World Encompassed with Fretwork at this year's Dartington International Summer School on 2nd August. Following our collaboration with Simon for 'The Year's Midnight' at the Spitalfields Winter Festival last December, we're delighted that he has agreed to narrate the new version of The World Encompassed at this summer's premier.
It will be the world premier of Nico Muhly's new work 'Slow' at Kings Place, London next Thursday, 5th February. This concert will also feature music from 16th century England that employs similar techniques as more recent composers, such as Muhly, Nyman & Bryars. We also have an arrangement for viols of 'Balancing the Books' by Michael Nyman, performed for the first time here; and Gavin Bryars' 'In Nomine after Purcell'.