reviews
- The Financial Times
- The Guardian
- Rheinische Post
- The Gramophone
- New York Times
- De Volkskrant
- BBC Music Magazine
- RP Online
- The Herald
- The Scotsman
- Rian Evans, The Guardian
- Shepherd Express, Milwaukee, USA
- Straight.com Vancouver, BC
- Chicago Tribune
- Paul Driver, The Sunday Times
- Rhian Evans, The Guardian
- Michael Church, The Independent
- Canon Jonathan Boardman, The Church Times
- Anna Picard, Independent on Sunday
- Robin Holloway, The Spectator
- Geoff Brown, The Times
- Berta Joncus, BBC Music Magazine
- Geoffrey Norris, The Daily Telegraph
- Geoff Brown, The Times
- Classic FM Magazine — Editor’s Choice
- Michael Church, The Independent
- Julie-Anne Sadie, The Gramophone Magazine
- Ivan Hewitt, The Daily Telegraph
- Andrew Clarke, The Independent
- The Independent — London
- The New York Times
- The Times — London
- The Times — London
- Anna Picard, The Independent on Sunday — London
- Anna Picard, The Independent
- Stephen Petit, The London Evening Standard
Geoff Brown, The Times
2002
Bach and Fretwork ensure that every track offers some tangible delight: the swung dotted rhythms in Contrapunctus 2, say, or the merrily scampering Canon alla Ottava, or the piquant sonorities of the viol duet in Canon alla Duodecima. This is not music that sits easily on performers’ fingers, but the six members of Fretwork make it appear so. Buy this CD now; cherish it forever.