reviews
- The Financial Times
- The Guardian
- Rheinische Post
- The Gramophone
- New York Times
- De Volkskrant
- BBC Music Magazine
- RP Online
- The Herald
- The Scotsman
- Rian Evans, The Guardian
- Shepherd Express, Milwaukee, USA
- Straight.com Vancouver, BC
- Chicago Tribune
- Paul Driver, The Sunday Times
- Rhian Evans, The Guardian
- Michael Church, The Independent
- Canon Jonathan Boardman, The Church Times
- Anna Picard, Independent on Sunday
- Robin Holloway, The Spectator
- Geoff Brown, The Times
- Berta Joncus, BBC Music Magazine
- Geoffrey Norris, The Daily Telegraph
- Geoff Brown, The Times
- Classic FM Magazine — Editor’s Choice
- Michael Church, The Independent
- Julie-Anne Sadie, The Gramophone Magazine
- Ivan Hewitt, The Daily Telegraph
- Andrew Clarke, The Independent
- The Independent — London
- The New York Times
- The Times — London
- The Times — London
- Anna Picard, The Independent on Sunday — London
- Anna Picard, The Independent
- Stephen Petit, The London Evening Standard
Canon Jonathan Boardman, The Church Times
September 2009
From the first long-held chord of the six viol players at the start of William Lawes’s Consort Sett in F major, I was transported. Tears coursed embarrassingly down my cheeks, and my face screwed up with the unspeakable pain of such intense pleasure.