reviews
- De Volkskrant
- BBC Music Magazine
- RP Online
- The Herald
- The Scotsman
- Rian Evans, The Guardian
- Shepherd Express, Milwaukee, USA
- Straight.com Vancouver, BC
- Chicago Tribune
- Paul Driver, The Sunday Times
- Rhian Evans, The Guardian
- Michael Church, The Independent
- Canon Jonathan Boardman, The Church Times
- Anna Picard, Independent on Sunday
- Robin Holloway, The Spectator
- Geoff Brown, The Times
- Berta Joncus, BBC Music Magazine
- Geoffrey Norris, The Daily Telegraph
- Geoff Brown, The Times
- Classic FM Magazine — Editor’s Choice
- Michael Church, The Independent
- Julie-Anne Sadie, The Gramophone Magazine
- Ivan Hewitt, The Daily Telegraph
- Andrew Clarke, The Independent
- The Independent — London
- The New York Times
- The Times — London
- The Times — London
- Anna Picard, The Independent on Sunday — London
- Anna Picard, The Independent
- Stephen Petit, The London Evening Standard
The Times — London
One came to appreciate every minutely observed rise and fall of tension, every detail of immaculately groomed phrasing, as this first-rate ensemble demonstrated its art in Purcell Fantasias and In Nomines and four Lawes Consort Setts, ending with the wonderful one for six viols in C minor … and it was the majestic cumulative layering of polyphonic lines in the final work that offered Lawes and Fretwork at their most masterly. It is hard to imagine consort playing of greater refinement or subtlety than this.